Young Frankenstein: Legendary filmmaker and comedian Mel Brooks brings his classic monster musical comedy Young Frankenstein to life on stage...
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The Lion King: Set against the majesty of the Serengeti Plains and to the evocative rhythms of Africa, Disney's 'The Lion King...
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Book last minute tickets for the following shows and London West End theatres.
LONDON THEATRE TICKETS FOR LONDON WEST END SHOWS
42nd Street, Aladdin, An American In Paris, Dreamgirls, Kinky Boots, Les Miserables,
Mamma Mia!,
Matilda The Musical, Motown The Musical, School of Rock The Musical, Stomp, The Book of Mormon, The Lion King,
The Mousetrap,
The Phantom of the Opera, The Woman In Black, Thriller Live, Wicked.
LONDON WEST END THEATRES
Adelphi, Aldwych, Ambassadors, Apollo, Apollo
Victoria, Cambridge, Coliseum,
Dominion, Duchess, Duke of York's, Fortune, Garrick, Gielgud, Harold Pinter,
Her Majesty's, Lyceum, Lyric, New London, Noel Coward, Novello, Old Vic, London Palladium, Phoenix, Piccadilly,
Playhouse, Prince Edward, Prince of Wales, Queen's Theatre, Sadler's wells. Savoy Theatre, Shaftesbury, St Martin's,
Theatre Royal Drury Lane, Theatre Royal Haymarket, Trafalgar Studios, Vaudeville, Victoria Palace, Wyndham's
Theatre.
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020 7492 1602
Best-selling
recording artist, X-Factor winner and West End star Matt Cardle is to join
the cast of Strictly Ballroom The Musical. Based on Baz Luhrmann’s
acclaimed film and now transformed into a spectacular and joyous West End
musical, Matt will play the role of bandleader Wally Strand, from Tuesday
31st July at the Piccadilly Theatre.
Read More
Review: Imperium I: Conspirator and Imperium II:
Dictator:This production makes no secret of the fact that it favours political speeches over political bloodshed but, with such a long run time, there are many wasted opportunities to engage the audience on more than just an intellectual level.
Review by
Dan Reeves
The Tempest at Brockley Jack Studio Theatre:
An uncluttered stage (there are some props, but not many) gives the script a chance to shine. Less is more, and the audience is required to deploy some imagination, ably assisted by the usual pops and whizzes of sound effects and lighting changes.
Review by Chris Omaweng
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